The makers of Coraline return with their distinctive animation style in a magical tale of a secret world of strange beasts, talking animals and evil governesses
Here is an engaging family movie from the Portland-based Laika studio that created Coraline. It is a fantasy adventure in Laika’s distinctively crafted stop-motion animation, written by Chris Butler from the bestseller of the same title by Carson Ellis and Colin Meloy, the latter being a band member of The Decemberists, one of whose tour posters we duly glimpse in this film. The director is Laika’s lead animator Travis Knight. It’s a forthright, exuberant, good-natured and old-fashioned children’s tale which CS Lewis and JRR Tolkien might have recognised, a story about the mysterious glory of going on a quest and the terrible fear and wish-fulfilment euphoria of being called upon to confront secret forces that the grownups know nothing about.
The setting is modern-day Portland, Oregon, a groovy city whose hipster-ish stores (there’s a coffee shop actually called Dripster) and Woke 1.0 signage are affectionately mocked. But most of all, the film is aware of a huge forest park next to the city, a place here mythologised as the impassable wilderness or “wildwood” where strange creatures, fairytale nobility and wisecracking talking animals reputedly dwell, of which the city-dwelling humans are entirely ignorant. Prue (voiced by Peyton Elizabeth Lee) is a 12-year-old girl whose parents (voiced by Jake Johnson and Maya Erskine) are a couple of amiable hippies who believe in natural forces and benign magic. They have another child, Prue’s baby brother Mac, who Prue has to look after one day, pushing him in his stroller around the city and having to endure a certain classmate of hers tagging along. This is nerdy Curtis (Jacob Tremblay) who has a crush on her.
