If you love something, let it go, the adage advises, and maybe it will come back to you. Maybe, however, it will go and go and go and never come back, and that, so Yeşim Ustaoğlu’s increasingly lyrical and persuasive “What Remains” would have it, might be its own sort of reclamation. The slowly built, […]
‘What Remains’ Review: A Pensive but Stirring Drama Finds Poetry in the Landscapes of Rural Turkey
