This tale of broken hearts and broken people moves from the Troubles of 70s Northern Ireland to an unforgiving London of squats and payphones
Louise Kennedy’s first novel, Trespasses, was one of those rare triumphs, a debut that was not only rapturously received by critics but adored by readers around the world. A story of forbidden love set during the Troubles in 1970s Belfast, it was an international bestseller, translated into more than 20 languages. It was shortlisted for the 2023 Women’s prize and scooped debut fiction of the year at the British Book awards. A four-part television adaptation with Gillian Anderson aired last autumn on Channel 4.
Inevitably Kennedy found herself lauded as an overnight success – much was made of her 30-year career as a professional chef – but in fact she had been writing short stories for a decade and to considerable acclaim; her first collection, The End of the World Is a Cul de Sac, was published in 2021. Included in that book was Belladonna, the story of Róisín, a young girl from Belfast who moves south with her mother and, ostracised by her new classmates, becomes friendly with the couple who live across the road. Like Briony Tallis in Ian McEwan’s Atonement, the prickly and precociously bright Róisín misinterprets the dynamic of her neighbours’ marriage to disastrous effect.
