Director Joko Anwar uses horror for social commentary as he skewers corruption and hypocrisy with likable silliness and raucous energy
Given the 2020s horror boom, Indonesia’s prolific Joko Anwar – who has worked more often in that genre than any other – should be better known. Using horror for social commentary, as Anwar has done often in the past, this prison-slasher-satire features the kind of scabrous broadsides against injustice you see in Bong Joon-ho’s films, and Park Chan-wook’s recent No Other Choice. But in skewering the corruption and hypocrisy of the director’s native country, it has its own likable silliness and raucous energy. As the inmates keep saying: this is Indonesia, not Norway!
Fitted up for the murder of his boss, who is found gutted and spreadeagled on a ceiling fan, timid investigative journalist Dimas (Endy Arfian) winds up in the slammer. But murder, immediately followed by the flamboyant flaying of the victim, dogs him wherever he goes: the prison hitman assigned to dispose of him is in turn found in the washroom rendered into flesh origami. Charismatic prison refusenik Anggoro (Abimana Aryasatya) takes Dimas under his wing; as the victims stack up, an apparently clairvoyant member of his clique called Six (Yoga Pratama) admits that all of them manifested a red aura, signifying anger, prior to dying.