‘My poetry won me asylum’: Cecilia Vicuña on exile life in ‘sad’ Britain after Pinochet’s coup
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‘I’m bringing together women who nourish me’: French film-maker Alice Diop on her debut installation
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Armless fun: why sculpture can have far more power and be much more sensuous when it’s broken
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Rachel Kneebone review – who knew porcelain could be so edgy, nerve-wracking and marvellous?
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Nicole Eisenman review: ICE-like goons clash with sublime stargazing as America’s magical magpie returns
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