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EU News Forge > Blog > Culture > Rebellion review – story of Bradford 12 revisits Britain’s ugly racist past
Culture

Rebellion review – story of Bradford 12 revisits Britain’s ugly racist past

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Last updated: October 15, 2026 12:08 pm
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1 day ago
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Ken Fero and Tariq Mehmood’s documentary recalls the fight against racism in 1980s Britain – even if its account of solidarity has a notable omission

This fierce film from socialist film-makers Ken Fero and Tariq Mehmood gives us the story and the context of the Bradford 12. Twelve south Asian members of the United Black Youth League in 1981 were arrested on a charge of conspiracy to cause explosions for possessing dozens of molotov cocktails – milk bottles filled with petrol, with a rag through the lid – allegedly for throwing at the police. To the intense irritation of the British authorities, a mixed-race jury acquitted them, accepting their argument that it was in self-defence (and that the items themselves were closer to fireworks than bombs), because black and Asian communities were routinely and systematically attacked by skinheads and racists whose activities were shrugged at by the powers that be.

It is a reminder of a particularly ugly, squalid, bigoted and mediocre era in British public life, when Margaret Thatcher, just before becoming prime minister, tried to siphon off some of the far-right National Front’s political energy by declaring that people felt “swamped” by immigrants, the most earsplittingly loud dog whistle in Tory history. It was also the era when anti-racist protester Blair Peach was killed by the Met’s yet-to-be-disbanded special patrol group, when the still-unsolved New Cross fire in London took the lives of 13 young black people, when the south Asian woman Anwar Ditta was subject to a spitefully obstructive move from the Home Office to prevent her bringing her children into the UK – supposedly because they weren’t really hers, though a DNA test finally proved her right. Perhaps most of all, it was an era when the witness-box testimony of uniformed police officers was increasingly seen as almost valueless in these cases; the film also reminds us how culpably lackadaisical and incompetent the Yorkshire police were in catching the serial killer Peter Sutcliffe.

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Source: Guardian Culture

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