Twenty years on from his debut feature “London to Brighton,” Paul Andrew Williams remains a tough talent to pigeonhole on the British indie film scene. His filmography veers from kitchen-sink realism to wild genre storytelling, sometimes with a supernatural bent; from the visceral, stomach-churning severity of “Bull” to the untrammelled sentimentality of “Song for Marion.” […]
‘Faith’ Review: Enigmatic, Increasingly Unmoored Grief Drama Isn’t Equal to Erin Doherty’s Gut-Wrenching Performance
