By using this site, you agree to the Privacy Policy and Terms of Use.
Accept
EU News ForgeEU News ForgeEU News Forge
Notification Show More
Font ResizerAa
  • Home
  • News
  • Sport
  • Business
  • Technology
  • Health
  • Culture
  • Arts
  • Travel
  • Earth
  • Audio
  • Video
  • Live
Reading: Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
Share
EU News ForgeEU News Forge
Font ResizerAa
  • Business
  • Economics
  • Politics
  • Politics
  • Travel
  • Pursuits
  • Entertainment
  • Business
  • Science
  • Science
  • Technology
  • Technology
  • Fashion
  • Fashion
Search
  • Categories
    • Technology
    • Entertainment
    • Travel
    • Fashion
    • Business
    • Politics
    • Science
    • Health
  • Home
    • Home 1
    • Home 2
    • Home 3
    • Home 4
    • Home 5
  • Demos
  • Categories
    • Technology
    • Business
    • Pursuits
    • Fashion
    • Economics
    • Politics
    • Science
    • Wellness
  • Bookmarks
  • More Foxiz
    • Sitemap
  • Bookmarks
  • More Foxiz
    • Sitemap
Have an existing account? Sign In
Follow US
  • Contact
  • Blog
  • Complaint
  • Advertise
  • Advertise
© 2022 Foxiz News Network. Ruby Design Company. All Rights Reserved.
EU News Forge > Blog > Culture > Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA
Culture

Jess Williamson: A Mile South of Heaven review – alt-country singer’s love-hate affair with LA

admin
Last updated: October 9, 2026 9:30 am
admin
2 days ago
Share
SHARE

(New West)
Following 2023 breakout Time Ain’t Accidental, the best songs here are when Williamson strips back country music, rebuilding it as something familiar yet different

In her essay Goodbye to All That, Joan Didion writes that she left New York City when “the golden rhythm was broken”. Texas-born alt-country singer Jess Williamson borrows the title for the aching opening track of her sixth solo album, on which she contemplates whether she has had enough of Los Angeles. But while Didion was looking back on leaving the city of her youth behind, Williamson is still in LA, wrestling with competing desires to stay or flee.

This tumultuous love-me, love-me-not is set to Williamson’s most traditional soundscapes to date: “Deep in the woods I feel the hum of the city,” she sings on Hum of the City in her strongest Texas drawl over mournful strings and twiddling banjo. Gone are the iPhone-programmed drums that made her 2023 breakout Time Ain’t Accidental so appealingly offbeat, and while the Americana flourishes give weight to Williamson’s nostalgia for her native Dallas, at times they make the album stodgier and less imaginative than her previous record.

Continue reading…

Source: Guardian Culture

You Might Also Like

Blockers by Michael Lewis review – the quiet heroes who tried to stop Doge
Do Rush Like Steely Dan? We Found Out the Answer
‘My first photographs coincided with me falling in love’: why children have always adored taking pictures
Macklemore Sets ‘Free Palestine’ Tour Now That His Schedule ‘Freed Up a Bit’
Mountain Grass Unit Are Lighting a New Bluegrass Fire
TAGGED:CultureMusicPop and rock
Share This Article
Facebook Email Print
Previous Article SkyShowtime’s ‘The Homicide Unit,’ From Warner Bros., and Iceland’s ‘Fjord’ Boarded by Reinvent Yellow Sales (EXCLUSIVE)
Next Article Everton owners open to full club sale
Leave a Comment

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

EU News Forge
HomeWorldEuropeBusinessTechnologyPoliticsScienceHealthTravelEntertainmentLatestContact
Follow EU News Forge on:
Terms of UsePrivacy PolicyCookiesAccessibility HelpContact UsAdvertise with usRSS

Copyright © 2026 EU News Forge. All rights reserved. EU News Forge is not responsible for the content of external sites.

EU News Forge
Welcome Back!

Sign in to your account

Username or Email Address
Password

Lost your password?