It’s at the tail of its closing credit scroll that “Ancestors” drops its final, plainly worded message, also setting its title in context: “No survivors, only descendants.” As the sign-off for this heartbroken drama of connections made and lost as AIDS ravaged London’s queer community in the late 1980s, it’s a lyrical rejoinder to anyone […]
‘Ancestors’ Review: An Exquisite Éanna Hardwicke Carries a Queer Elegy for a Lost Generation
